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Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.The paperless workflow is a mix between traditional animation and digital animation workflow. They watch it every time.’ I think if we do it right, it won’t be something that people want to skip over.” “I was like, ‘I don’t know about you guys, but my kids love a main title sequence. “I just felt like we really needed a great opening sequence,” added Wasson, describing the chatter about how skippable main titles are on streaming platforms.

The Easter egg–laden sequence features animation by stop-motion specialists Screen Novelties, known for their work on Adult Swim’s “Robot Chicken” and Nickelodeon’s “SpongeBob SquarePants.”

#Toon boom studio animate series#

The show’s catchy intro was written by Wasson and co-executive producer Cosmo Segurson (“Rocko’s Modern Life: Static Cling”), and then fleshed out by series composer Ego Plum (“SpongeBob SquarePants”). But if you add hundreds of very specific individual drawings to each frame, you can ‘trick’ the system into making it look like traditional hand-drawn animation.” They don’t really feel like traditional 2D animation.

“Basically, inside Harmony you can build a two-dimensional rig for a character, but if you use the rigs as they are, they can look a lot like puppets. “Since we’re trying to do a 1930s look on a TV schedule and budget, we knew we’d have to embrace more modern technology,” Wasson said. Similar to the 2D pipeline employed for the “Mickey Mouse” shorts, “The Cuphead Show!” was animated using Toon Boom Harmony. It’s so fluid that it’s really hard to systemize.” You paint something, especially with the watercolor, it’s so personal. It’s a lot of artwork to make in this particular style animation, especially TV animation, because of the intense, laborious process behind getting this look.

#Toon boom studio animate how to#

“I spent about six months just researching and developing how to achieve the work in a way that could be done over thousands of backgrounds of unique places,” she said. “Maybe it was naive, but I was just like, ‘That’s how it has to be,’ even if I really had no idea how we would pull it off.”Īrt director Andrea Fernández was tasked with creating the look of the series, including the development of a visual style guide for producing digital backgrounds that delivered the handmade quality of watercolor paintings. “That’s what the backgrounds in the 1930s looked like, and that’s what the game emulated as well,” he said. To capture the distinctive vintage look and feel of the “Cuphead” game, Wesson knew the series would also need to employ its signature hand-painted watercolor backgrounds. That was something I really prayed that we’d get.” “The animation from that time period is so raw and so lively. “I love this era of animation,” said Wasson, who previously worked on Disney Television Animation’s “Mickey Mouse” series. The careful observer will note a bevy of vintage touches, including film grain and other artifacts. The retro, hand-drawn visuals for which the game is known channel classic Fleischer cartoons and Disney’s “Silly Symphonies,” complete with wobbly, “rubber hose” arms and legs and even dancing skeletons. The Best International Series on Netflix to Watch Right Now Oscars 2022: Best Makeup and Hairstyling Predictions Netflix Won't Bring Films to Cannes This Year - In or Out of Competition 'Squid Game': SAG Awards Nominee Lee Jung-jae Thinks You Should Read the Subtitles The animation is provided by Lighthouse Studios, the Kilkenny, Ireland-based 2D animation studio co-owned by Mercury Filmworks and Tomm Moore’s Cartoon Saloon (which has the Nora Twomey feature “My Father’s Dragon” with Netflix this year). Now streaming on Netflix, “The Cuphead Show!” is executive produced by Dave Wasson (“Time Squad”) alongside “Cuphead” creators Chad and Jared Moldenhauer.